so… that was fucking mental
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I’m a little late to the party, but last night I went to see Obsession.
My God, am I glad I did. It edges out both It Follows and Weapons for me as far as modern high-concept horror goes, and sits comfy amongst Blumhouse’s very best.
It also came as an absolute surprise package. The trailer didn’t do the final product justice at all, and I internally placed it in the ‘good enough for the dodgy Firestick, but not the big screen’ category – the same way I did for Smile and Countdown.
What prompted me to get my arse off the sofa and on the bus to Odeon was the reviews. After an impressive opening weekend, overstimulated moviegoers took to social media in a state of disturbed hilarity to offload about the insanity of what they’d just watched.
It quickly garnered a 94% audience score on Rotten Tomatoes, ranking it as one of the best movies of 2026, period. That was more than good enough for the sickly little conformist in me. I ain’t sitting through Michael, but I can’t miss that shit.
Turns out that my initial state of ambivalence was shared by many. Ticket sales went up 30% on the second weekend in the US, which is virtually unprecedented when it comes to horror. Seems the sales pitch was good, but word of mouth is what has really propelled Obsession.
And Gen Z are apparently the engine propelling the hype train. Variety says that 75% of the movie’s audience was aged between 18 and 25, which aligns with Jason Blum recently stating that young moviegoers are embracing horror IPs that are a little more ‘left-of-centre’ than the haunted dolls and grannies crawling up walls that Raimi and Wan have spammed us with relentlessly.
They’re after something sharper and more socially reflective.
100% deserved. I HATE horror movies but freaken loved Obsession. Never knew where the story was going, their passion clearly shines thru in the movie, and the last couple minutes were perfect. Very very impressive especially for the budget they had.
— MrBeast (@MrBeast) May 22, 2026
I’m not about to give anything away from the actual plot, but the themes clearly resonate with younger people in a big way. Dating and attachment are realms harder to define than ever, but one thing is for sure: they’re absolutely grim… so is this. Despite being extreme, and frankly mental, the premise is oddly familiar due to present anxieties around intimacy and yearning.
It’s also extremely cool that the budget was just $1 million and that the whole thing was shot in 20 days. Studios keep trying to brute-force cultural relevance with inflated budgets, constant sequels, and CGI killer robots in dresses, but Obsession is a case study in how a clever premise and a talented filmmaker are more than enough to execute a class A, deranged banger.
If you’ve still got inhibitions, ignore them. How else would you get a complimentary One Wish Willow?
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