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Meditating on our environment at ‘The River’

The latest in the Natural History Museum’s free contemporary art programme, The River – composed by acclaimed Norwegian sound artist Jana Winderen in collaboration with spatial audio expert Tony Myatt – explores the world below the surface of the Thames using underwater recordings, highlighting the importance of sound in this habitat and the impact that human activity is having on it.

Lying on a beanbag at Jana Winderen’s The River, you forget you’re in the Natural History Museum, in the heart of a bustling city where noise is as commonplace as black cabs and double decker buses.

The latest in the museum’s free contemporary art programme invites people to sit in a single, dimly lit gallery, with nothing to do but listen.

‘From the ambient crackling of gas bubbles at the source by Kemble, the hectic industry of Central London and the sprawling estuary into the North Sea, listeners will experience a huge range of sounds created and heard by aquatic species,’ reads the official press release.

‘Jana’s work highlights sounds often inaudible to the human ear and present in inaudible environments.’

 

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Composed by Winderen – an acclaimed Norwegian sound artist – in collaboration with Tony Myatt, the immersive 360-degree audio instillation takes you to the all-encompassing depths of the Thames, where very few have explored – even less so with their ears.

Using specialist hydrophones, Winderen captures the cacophony of life in this habitat, a chorus of water boatmen and backswimmers interrupted frequently by the rumbles of human activity.

It makes you think. In offering a rare escape from the overstimulation of London, a moment of peace amid the chaos, but one that’s contaminated by the reminder of our impact on the natural world, you’re made to understand how polluting our presence on Earth really is.

This is the message that Winderen is seeking to convey: that not only are we surrounded by more life than we’re able to comprehend, but that we’re destroying it in ways we aren’t even conscious of.

 

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‘You become aware of things – things happening all around us – that you might otherwise overlook,’ Jana tells me. ‘Then you feel connected to your environment and see how we’re affecting these vital ecosystems.’

A deeply meditative experience that’s entirely void of distraction, The River is certainly unique, not to mention a welcome relief from our heavily saturated day-to-days.

With nothing in the way of visuals, you’re encouraged to pause, close your eyes, and pay attention to the reflections that surface from the heightened sound-awareness of using just one of your five senses.

‘When I lower the hydrophones into the river, another sound-world appears: stridulating underwater insects, ticking of plant photosynthesis, grunts from fish and sounds from mammals, including us,’ said Jana in a statement about the first-of-its-kind exhibition.

‘We dominate the soundscape during the daytime, but when you listen carefully, when most people are  sleeping, or in areas less populated by humans, you can enter this exciting world of underwater sound.’

The museum’s contemporary art programme forms part of Fixing Our Broken Planet, a global initiative of events, exhibitions, and online resources that examines how scientists are finding solutions to the climate crisis for nature from nature. The River will run from tomorrow, and is free to all visitors.

‘Art is a vital medium through which we can convey powerful messages about our relationship with the natural world,’ says Alex Burch, director of public programmes at the NHM.

‘Jana has composed a poignant merging of art and science through The River which invites us not only to  engage with an underwater environment most of us are unfamiliar with, but to consider just how much human activity has affected it.’

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