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Is being offline a privilege?

Plenty of us want to check out from the algorithm. But is this a luxury few can afford? 

I told myself this would be the year I get rid of social media for good. It started with a phone detox – my addiction had reached its peak when I found it difficult to sit through an episode of great TV without glancing at the screen in my hand. I hit rock bottom when I woke in the night and my thumb was scrolling a phantom phone. It had gone too far and I was sick of it.

Since January I’ve successfully withdrawn, replacing social media with books and films that feed my brain. I’ve already steamrolled through over 20 books in 2026, finally finished Twin Peaks after several attempts to start, and ticked off a healthy chunk of my Letterboxed list.

To some extent, spending less time on Instagram and TikTok has already rewired my brain. Opening the latter feels like a sensory overload so intense I usually close it within minutes. And without the predatory algorithm of Instagram, I’ve felt my mood lift substantially.

I’m comparing myself less, making fewer unnecessary purchases, and generally building a healthier relationship to my body. And yet despite the mounting evidence that it would significantly improve my life, I still can’t divorce myself from these apps completely.

When I try to pinpoint why, I tell myself it’s because I enjoy posting stories and seeing what my friends are up to. I worry I’d be out of the loop with cultural and world news, or that I’d get left behind when it comes to trends. But if I’m being completely honest? I don’t use social media for any of these things.

Despite my best intentions, a five-minute scroll for life updates quickly turns into a hours-long descent into useless slop. AI-generated horoscopes, fake news about celebrities I’ve never heard of, and toxic ‘what I eat in a day’ videos from women with washboard abs and an eating disorder.

I’m also increasingly conscious that for every minute I spend on social media, it’s taking something from my life and adding to someone else’s. I’m literally funding Mark Zuckerberg’s lifestyle while any free time I might spend learning a new skill or growing as an individual is spent staring at skincare routine in a glazed-over trance.

But is there a nugget of truth to my excuses? Would cutting out social media and going offline really shut me out from the world, in a way that most of us – particularly in the creative industries – can’t afford?

I’m a writer, after all. And while it’s all well and good to say ‘just watch the news!’ for my world updates, we live in an online era. The zeitgeist has made house in the hallways of social media and it’s not shifting any time soon.

Roisin Lanigan explored this question when speaking with artists who work with technology. Briony Godivala is a 24-year-old creative whose work explores art’s relationship with the online space. Despite being overwhelmed with disturbing targeted content throughout the course of a recent project, Godivala questions how easy it is to navigate the creative industries without these platforms.

‘For all its faults,’ writes Lanigan, ‘technology has improved access to various industries and communities, particularly in the arts, where it’s helped remove the historical gatekeeping boundaries that once existed around ‘networking’ and accessing job opportunities.’

In other words: logging off is easier if you already have a seat at the table. The romantic vision of the offline creative has a certain appeal. But it also belongs, increasingly, to a particular class of person. If you’re not already established or financially secure, social media provides a necessary safety net.

We know these platforms are corrosive, and yet they remain one of the primary ways work circulates. To delete your accounts is not simply to remove an app from your phone; it is, potentially, to disappear from the informal economy that now governs cultural relevance.

For younger creatives in particular, the internet has replaced the old gatekeepers. You no longer need to know the top dogs if your work can travel independently online. Before the internet, cultural industries were often tightly controlled by elite networks clustered in a handful of cities. Access frequently depended on who you knew, where you studied, or whether you could afford to work for free.

Social media has not eliminated these inequalities, but it has scrambled them slightly. So what if irrelevance is the price you pay for going offline? That might sound like a dream to some of us, but if your income hinges on how many people can access you, it does pose some problems.

Total escape may be, for now, structurally impossible. But I hope it’s worth learning how to inhabit these spaces without letting them colonise our lives. I suppose we have to trust that the online world will still be there should we choose to return.

Given its monopoly over every crevice of modern humanity, something tells me that might be true.

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