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Fast fashion retailers accused of cultural appropriation

Mexico’s ministry of culture has claimed that Zara, Anthropologie, and Patowl wrongfully made use of designs created by the country’s indigenous communities.

A number of fast fashion retailers – namely Zara, Anthropologie, and Patowl – have come under fire lately for using patterns distinctive to Mexico’s indigenous Mixteca population in the south-western state of Oaxaca.

Accused of cultural appropriation by Alejandra Frausto (the country’s culture minister), these brands have reportedly used the design motifs without any benefit whatsoever to the communities they originate from.

‘They reflect ancestral symbols related to the environment, history, and worldview of the community,’ Frausto said, asking for a ‘public explanation on what basis it could privatise collective property.’

Zara in particular has received the most backlash for selling dresses with the same aesthetic as traditional huipil garments worn by Mixtecan women as part of their identity, which often take local craftspeople at least a month to make.

Its parent company (and world’s largest clothing retailer) Inditex denies the claims, however.

‘The design in question was in no way intentionally borrowed from or influenced by the artistry of the Mixtec people of Mexico,’ it responded in a statement.

Anthropologie and Patowl have also been namechecked, the former for replicating embroidery patterns developed by the Mixe community of Santa Maria Tlahuitoltepec and the latter for blatantly copying the intricate hazme si puedes (make me if you can) technique of the Zapotec community in San Antonino Castillo Velasco.

This yet again brings to light the extent to which fashion designers are profiting from incorporating cultural designs without fairly compensating communities or acknowledging their origins.

Children in traditional dress in Oaxaca, Mexico.

It’s an issue which, by now, ought not be so prevalent but remains so owing to the fine line between ‘appropriation’ and ‘appreciation.’

Those found guilty of using other cultures for personal gain in recent years have been quick to excuse themselves on the grounds that creativity relies on inspiration: the key concept behind our creative process, alongside sampling and borrowing.

Take Carolina Herrera for example which, in 2019, was similarly called out by the Mexican government for its Resort 2020 collection but walked free simply for declaring it ‘paid tribute to the richness of Mexican culture.’

Now a major point of contention – primarily on social media platforms which are in constant uproar over the matter – the problem is most high-profile in Mexico.

More from Carolina Herrera resort collection 2020.

For hundreds of years, western brands have been imitating indigenous designs to resell them as ‘boho chic’ for extortionate prices despite the fact they’re often produced by poverty-stricken communities.

Consequently, Frausto has issued an ‘ethical framework’ whereby Mexico will no longer tolerate the cultural appropriation of local designs without due credit to ‘prevent plagiarism by national companies and transnationals.’

She also explained that the measure will protect the rights of native peoples who have historically been disregarded.

Adapting the surface characteristics of a culture without having to take on its complications is what makes cultural appropriation such a delicate subject.

It’s rare that a culture will imbue an item with significance purely because it’s nice to look at, but often this is why cultural appropriators choose to wear them. These artefacts and objects tend to be of historic importance, and it’s important to realise that we could be misusing or romanticising them.

WWD journalist, Ritu Upadhyay, believes ‘we are in a very in a very sensitive period right now’ with an inherent ‘lack of an acknowledgment of the heritage’ which is essentially what the issue comes down to.

After all, it only takes respect towards and recognition of the cultures that inspire creativity or ‘commercial borrowing.’

Is this truly too much to ask for?

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