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Why Miss Universe has triggered a ‘wokeness’ debate

The beauty pageant is being hailed as the death of wokeness, and the result of the ‘Trump effect’. 

Victoria Kjær Theilvig, a 21-year-old Danish woman, is Miss Universe 2024. She’s blonde, blue-eyed, and undeniably beautiful – a fact that should been met with applause and little more.

Instead, her win has ignited a cultural skirmish on social media, where far-right commentators have seized the moment to proclaim the supposed ‘end of wokeness’.

Kjær Theilvig is the first blonde-haired, blue-eyed woman to win the Miss Universe pageant in 20 years, but some are using her win as an excuse to take down other women.

Thousands of comments celebrating Kjær Theilvig’s win have been thinly veiled instances of transphobia, fatphobia, and racism, framing her victory as a repudiation of progressive ideals.

Her victory isn’t political – unless one counts the inherent politics of pageantry. Yet her crowning moment has been twisted into a symbolic ‘win’ against inclusivity.

On X (formerly Twitter), users are crediting this to the ‘Trump Effect,’ the theory that a supposed backlash to ‘wokeness’ is reshaping cultural norms in the wake of his re-election.

Never mind that the competition had nothing to do with Donald Trump, who sold his stake in the pageant nearly a decade ago.

Anti-wokeness is a phenomenon that has arisen in recent years as a counter to the idea of being ‘woke’ (or aware of important societal facts and issues). The latter term has been increasingly weaponised by far-right leaders and thinkers as a means to increase skepticism around values such as feminism, LGBTQIA+ rights, racial justice and more.

Earlier this year, Elon Musk – who has now established himself as a key figure in far-right US politics – blamed his trans child’s gender identity on a ‘woke mind virus’.

Kjær Theilvig is now both idolized and instrumentalized, a pattern Miss Universe winners know all too well. She is praised, not for her own merits, but for what her appearance supposedly negates.

Her win has been turned into a tool with which to attack other women who don’t fit outdated ‘conventional’ beauty norms.

If Kjær Theilvig’s win signals a rejection of diverse beauty standards, what message does that send to the rest of us? Must we accept that beauty is a zero-sum game, where one woman’s triumph negates another’s worth?

The backlash also betrays a deep insecurity. If inclusivity truly threatened traditional beauty standards, why would those standards need to be ‘defended’ by far-right trolls?

Shortly after her win, Donald Trump Jr. praised Kjær Theilvig for being a ‘biological and conventionally attractive’ woman. It’s a sentiment that echoes the anti-trans rhetoric of his father, implying that cis-gender women were ever at risk of being excluded from competitions like Miss Universe. (Note: they never have).

In fact, since the beginning of the pageant in 1952, cis-women have exclusively taken home the crown.

But Kjær Theilvig is triggering far-right rhetoric because she adheres to traditional, Eurocentric standards of beauty. It’s just another example of people using a woman’s body to push their own agendas.

Lewd comments not only denigrate the same women who are placed on a pedestal by far-right commentators, but they exacerbate division and objectification.

Kjær Theilvig has not aligned herself publicly with any far-right politics, nor made any commentary on ‘wokeness’. In fact, her winning speech espoused a belief in inclusivity and empowerment for people everywhere.

‘My message to all the world that is watching out there is no matter where you come from, no matter your past, you can always choose to turn it into strengths […] it will never define who you are. Just got to keep fighting [sic]. I stand here today because I want to change. I want to make history.’

These don’t sound like the words of someone seeking to become a figurehead for divisive culture wars.

By those celebrating her success, Kjær Theilvig is being used to fuel a misogynistic agenda that she hasn’t asked to be a part of.

If the Miss Universe pageant is proof of anything, it’s that beauty is still being used as a platform to project our societal insecurities.

Kjær Theilvig’s moment should have been about her hard work and vision for change. Instead, it’s become another excuse to perpetuate a tired, harmful narrative.

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