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Why are so many young people heading to the cinema?

Despite concerns that streaming is killing the in-person experience, reports suggest Gen Z are gathering in front of the silver screen regularly. 

Cinema attendance across the UK hasn’t exactly spiked. In fact, some of the year’s biggest films – by critical standards – saw dismal box office numbers.

Streaming has continued to shape our watching habits and dominate the entertainment industry. Netflix looks set to acquire Warner Bros, and our favourite TV shows are often born from platforms we can access on our phones.

Never have films been more immediately available. We can watch on demand from almost anywhere. We don’t even have to wait between episodes of a series. This instant gratification has made the act of going to the cinema something of a bygone pastime. At least, that’s what you may assume.

While overall numbers are still low for in-person film viewing, a new generation of film lovers are holding up the silver screen, according to reports. Young people are heading to cinemas years after being holed up during the pandemic, as the experience promises time away from their phones in a shared social setting.

Figures from the Cinema Advertising Association suggest that under-35s make up 50% of cinemagoers across the board. To back up those statistics, the Strength of Theatrical Exhibition report found in December that there’s been a 25% increase in US cinemagoing amongst Gen Z over the past year.

Across the pond, this uptick has been explained by the films themselves – with new releases like A Minecraft Movie and Five Nights At Freddy’s 2 proving popular with younger viewers. But is there more to it?

There’s no doubt ‘going to the movies’ isn’t what it used to be. But the industry hasn’t completely fallen off a cliff despite the rise of streaming and the devastation of the pandemic. Certain films might be drawing in younger audiences, but that’s surely not enough to keep these ostensibly unprofitable spaces from shuttering. So what gives?

According to Vox, it seems Gen Z are craving the ‘issues’ that streaming purports to solve. The casual experience of going to the cinema has become so unusual in our digital era that it now holds cultural gravity.

‘Young people like going to the movies. As we’re subjected to more streaming slop, people realise that ‘Oh, it’s actually nice to go out and be part of the world,’ writes film critic Will Talvin.

It’s not just the social aspect of in-person viewing that has us buying tickets. As with many extra curricular activities, apps like Letterboxd and TikTok have made film viewing something of an intellectual hobby. And through these online spaces, more and more of us are being encouraged to go to the cinema not as casual observers, but critical thinkers.

Active engagement with a film is something we might struggle with in our consumption-driven world. Streaming content has arguably taken a nosedive where quality is concerned – a shift many suspect has something to do with our addiction to swiping.

Streaming insiders have claimed that TV and film is being purposefully ‘dumbed down’ to allow viewers to watch passively while spending time on their phones. The cinema, by contrast, provides a space where phones – at least for a few hours – remain untouched.

It’s bleak that one of the only ways to draw us away from a screen is to swap it with another, but in this day and age, we’ve got to pick our battles. Gen Z seems to be doing just that.

‘This is the first generation that’s always had a smartphone, says Alex DelVeecchio, manager at Rutgers Cinemas on Rutgers University’s campus. ‘So these things that are big conveniences for us or things that we like to do – they’ve had it forever, so it’s not really all that special to be able to stream everything at home.’

In fact, says DelVeecchio, young people ‘don’t like to stay at home that much,’ especially given they grew up in lockdown.

Gen Z have consistently shown a willingness to splurge on live events in other areas, too. From concerts to sports, the lure of in-person experiences are all the more alluring for those who lost years of socialising to the pandemic.

Cinemas are taking note. According to Talvin, ‘they’ve tried to make the [experience] more of a luxury, jacking up the prices of tickets to make it more of a special experience.’

‘And it’s just as well. Young people aren’t heading to the closest or most convenient venues. Steph Read, programmer at Watershed, says. ‘We find young people are quite adventurous with their taste, especially when it comes to older films and rereleases.’

With this taste of unique cinema, comes a desire for alternative venues. Young people are flocking to independent cinemas over big conglomerates like Odeon and Vue, a shift that Paul Gallagher, programme manager at Glasgow Film Theatre, attributes to ‘a growing appetite for cinema in general.’

‘Gradually, in the years since [lockdown], this younger audience is now starting to join the dots and see that there are cinemas around that play stuff from the history of cinema. It’s not just new films, but that whole rich history of cinema.’

That history matters. In an era when algorithms decide what’s worth watching next, the cinema offers forced focus, which for a generation increasingly aware of how attention is monetised and eroded, feels quite radical.

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