Menu Menu
[gtranslate]

What’s all the trouble with Disney’s Snow White?

A live-action remake of the 1937 classic has been hampered with controversy from the start. But why is a story about a princess, seven dwarfs, and an apple causing so much drama?

For better or worse, Disney has been churning out live-action remakes of its classic tales for the past few years – an effort to modernise now rather outdated, but still beloved stories for a new generation.

Some have been more warmly welcomed than others, but when Snow White – one of the earliest Disney animated movies ever made – was first pitched for an upgrade five years ago it would’ve seemed like a no-brainer.

The story is still as well-loved as it was almost 100 years ago, and a fantastical plot provides plenty of creative playing field. But just days out from the release, and the film is foregoing a traditional Leicester Square red carpet, ticket sale projections look poor, and it hasn’t been shown to reviewers.

So why is the new Snow White causing such a stir? Well, we had better start with the dwarfs. Despite a fresh new cast, the 2025 re-make doesn’t feature a single dwarf in its line-up, because this time around all seven of Snow White’s friends have been created with CGI.

The dwarfs have also been removed from the original title, a move that irked Martin Klebba, the voice of Grumpy and the only person with dwarfism to work on the film. ‘I wish they would’ve kept it,’ he told The Hollywood Reporter. ‘I wouldn’t have gone away from that. But the marketing people know what they’re doing.’

Actor Peter Dinklage, who has a form of dwarfism called achondroplasia, is amongst those who’ve criticised Disney’s decision to exclude real actors for the seven major roles. ‘It makes no sense to me. You’re progressive in one way, but then you’re still making that fucking backward story about seven dwarves living in a cave together?’ he told WTF with Marc Maron in 2022.

The ‘progressive’ stance Dinklage refers to is the decision to cast Rachel Zeigler – who is Latina –  in the titular role, and Gal Gadot – an Israeli actor – as the wicked queen. Both women have been vocal about efforts to overhaul the original movie with a more inclusive lens, fleshing out ‘controversial’ themes for a modern audience.

But just as this emphasis on the remake’s ostensibly ‘diverse’ transformation has highlighted Disney’s failure to apply the same ethos to the dwarfs, it’s also invited swathes of criticism in its own right.

Actor Halle Bailey, who is Black and starred as Ariel in the 2023 Little Mermaid remake, faced racist backlash after her casting was announced. Zegler has suffered similarly. But her comments about the 1937 Snow White have added another layer of issues.

She told Vanity Fair in 2022 that people were making jokes about ‘ours being the PC Snow White, where it’s like, yeah, it is – because it needed that. It’s an 85-year-old cartoon, and our version is a refreshing story about a young woman who has a function beyond Someday My Prince Will Come.’ Zegler has also been criticized for saying the prince ‘literally stalks’ the princess in the animated original.

Stephen Galloway, dean of Chapman University’s Dodge College of Film and Media Arts in California and former executive editor of the Hollywood Reporter says this reaction was inevitable. ‘It’s a complete quagmire but, realistically, what did they expect? You’re going into this with a movie called Snow White.

It’s hard to imagine a picture in this DEI (diversity, equity, and inclusion), or post-DEI, post-woke age could be more controversial and polarising – and Disney is all about not being polarising, bringing people together and avoiding controversy at all costs.’

Gadot and Zegler have also been in hot water over political statements they’ve made beyond the film. Gadot, who served in the Israel Defense Forces, recently spoke at an Anti-Defamation summit on antisemitism, while her stance on the Israel-Hamas war triggered boycotts of Snow White amongst Palestinian groups.

Zegler, meanwhile, has been repeatedly outspoken about her support of Palestine, and wrote ‘may Trump supporters and Trump voters and Trump himself never know peace’ on Instagram following the 2025 US election.

Despite these political hot potatoes, sidelining both Zegler and Gadot in the film’s PR campaign is a retreat into the very discourse that Disney purports to embrace – one of accountability and authenticity. Ironically, when it comes to live-action remakes of classical films, these are the two issues that critics seem most concerned with.

Perhaps this speaks to the delicate balancing act Disney is now facing. Attempting to modernize outdated narratives while respecting the nostalgia that made those stories iconic is no easy task. But the mishandling of Snow White feels emblematic of an industry grappling with change.

Accessibility