Menu Menu
[gtranslate]

Ticketmaster forced to be transparent about ‘dynamic pricing’ mechanisms

While Ticketmaster’s effective monopoly over the ticketing business persists, it has finally been forced to become more transparent about its ‘dynamic pricing’ mechanism – and we apparently have Oasis to thank.

Have you ever been moments away from securing gig tickets, only to see the price jump three-fold at the last moment? That, my friends, is called ‘dynamic pricing.’

Those fortunate enough to make it through server glitches and biblical queue times are likely to be confronted with significant price hikes at checkout, especially if the show in question is in high-demand.

This has become part and parcel of the Ticketmaster experience. Its parent company Live Nation holds an effective monopoly over the business – controlling roughly 80% of tickets for live concerts – and this means aspiring attendees are resigned to either forking over the asking price, or trying their luck with resellers.

This effective cash grab is justified as a means to actually these stop ticket touts from hoovering up admissions and selling them on at extortionate prices. In reality, however, the only difference is fans are now priced out by an official vendor or the artist’s management company. And what does it matter to us who makes the extra profit?

Dynamic pricing is undoubtedly a standard part of modern life. Try getting an Uber on Christmas Eve, and you’ll see how the fare is liable to change. But its role in ticketing events feels particularly exploitative, and the justification for price spikes in the hundreds (and sometimes thousands) feels brazen and exploitative.

A fever pitch of frustration with the current system occurred late last year, almost immediately after tickets went on sale for the Oasis reunion tour. By the time fans reached the front of online queues, which took up to 10 hours for some, they had minutes to decide whether to go ahead with their purchase at more than double the initial asking price.

Certain seats were also randomly and ambiguously labelled, leaving many unknowingly waiting in the queues for premium seats at almost 2.5 times the value of standard admission.

The ensuing social media outrage was palpable and consumer complaints were filed at record pace, ultimately sparking the Competition and Markets Authority (CMA) to launch an investigation into Ticketmaster’s practices, and the mechanics behind its dynamic pricing.

After nigh-on a year, the watchdog has revealed that it ‘secured formal commitments’ from Ticketmaster to ensure fans are given more information about different ticket prices in future sales.

The company will now have to disclose 24 hours in advance if a ‘tiered’ pricing system is being employed: including how many tickets are available at each price point, clearer labelling on seat maps and at checkout, and a heads up on what specific events are causing prices to change during the sale window in real time.

Chiefly, the CMA demands that fans are informed when the cheaper batch of tickets have sold out, so they’re not surprised by the amount requested at the final point of the process. ‘Fans who spend their hard-earned money to see artists they love deserve to see clear, accurate information, upfront,’ said the CMA chief executive, Sarah Cardelll.

‘If Ticketmaster fails to deliver on these changes, we won’t hesitate to take further action,’ she assured.

It doesn’t mean folk won’t continue to get ripped off by dynamic pricing, but it keeps us more in the know throughout the frantic and arduous clamour for tickets – in theory. Annual audits and public reports on the average variance between listing and checkout prices are a must, and penalties for non-compliance must be severe enough to actually have an impact.

Otherwise, we’ll still be looking back in anger come the next sell out of a major gig.

Accessibility