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The female golden resistance takes centre stage in Manhattan

Across New York City’s Flatiron district, a rare and long overdue golden resistance is taking place. Havah…to breathe, air,Β life is a new public project showcasing a duo of female-figured sculptures.

Created by Pakistani-American artist Shahzia Sikander, Havah…to breathe, air, life aims to address recent β€˜setbacks to women’s constitutional progress’ following significant events such as the passing of Justice Ruth Bader Ginsburg and the reversal of Roe v. Wade last summer.

One of the two sculptures named NOW sits on the rooftop of the Courthouse of the Appellate Division, First Department of the Supreme Court of the State of New York.

At eight feet tall, the golden female figure crowns the Courthouse, rising from a pink lotus flower, hair β€˜braided into spiralling horns’, and wearing a lace collar resembling the garment made famous by the late Justice Ruth Bader Ginsburg.

 

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Rolando T. Acosta, the court’s presiding Justice, spoke of why he felt the sculpture was vital toward opening a dialogue of change within the nation’s legal system.

β€˜Theories of justice have gradually expanded to include previously marginalized groups, and we want to invite voices from such groups into our courthouse to gather new perspectives on our system of justice.’

In her artist statement, Sikander spoke of how her research process involved thinking about β€˜a woman’s sense of self versus someone else’s idea of [her].’

It allowed her to create a piece that establishes resistance whilst centring the feminine. Intending to offer a β€˜non-fixed idea to the notion of the body,’ NOW refuses to exist under predetermined labels.

Instead, the foot of the sculpture seeks to represent nomadic roots, with a temporary nature that can aid a woman by travelling with her wherever she may journey. Now embodies the freedom women have been longing for within the justice system.

By existing at such a height and in a spot frequented daily by commuters, it creates an unwavering dialogue which New Yorkers cannot look away from.

The Courthouse’s rooftop has traditionally only consisted of male figures, such as historic Emperors, Kings, and Philosophers. The addition of Now allows for a female lawgiver to be added to one of the Courthouse’s 10 plinths for the first time in the building’s one-hundred and twenty-four year history.

The second sculpture titled Witness is located in Madison Square Park, this time towering at eighteen feet tall. With a similar design of its top half to Now, this sculpture is adorned with a hoop skirt made up of metal framing and fragments of stained glass, inspired by the Courthouse’s ceiling dome.

Written onto the surface of the sculpture is the word β€˜Havah’, which translates to β€˜Eve’ in Arabic, or β€˜air’ and β€˜atmosphere’ in Urdu.

Describing it as a β€œcritical part of the natural environment of Madison Square Park”, Sikander’s work seeks to draw upon the close proximity and relationship between the park and Courthouse. Working to connect those who frequent the area on a regular basis and create a new form of communication when it comes to women and justice.

Visitors to the park can also take part in an augmented reality (AR) experience which β€˜features a display of colourful particles and ghostlike images of the courthouse figure’, via use of a smartphone.

Both sculptures seek to translate the need for justice through artistic exploration, allowing for its meaning to be divulged and expanded on by passers-by. In a rare moment, it allows for feminine justice to sit with fluidity and certainty.

As an additional offering, the park will also exhibit a video animation called Reckoning, centring a collision of the two works. This final instalment β€˜alludes to the interstices, the transitory, the mythos of the migrant and the citizen, women, and power, the colonized, the artist, and all those that are caught between worlds, artistic vocabularies, cultures, practices, and histories.’

Havah…to breathe, air,Β life is Shahzia Sikander’s first major outdoor project. It is co-commissioned by Madison Square Park Conservancy and the Public Art of the University of Houston System and will be on display until June 4th.

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