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Diversity at the Emmys calls for bigger change in Hollywood

This year’s awards were marked by diversity, inclusion, and displays of queer joy. It’s a standard the industry would do well to uphold. 

At the 76th Emmy Awards on Sunday, actor John Leguizamo gave Hollywood a much-needed reminder: diversity doesn’t just happen by accident.

The actor and long-time advocate for Latinx representation took the stage at L.A. Live’s Peacock Theater and delivered a speech that managed to be both impassioned and pointedly blunt. ‘Not complaining doesn’t change anything,’ Leguizamo said. ‘At 15, I didn’t know the word ‘representation’’.

For an industry that has only recently recognised people of all backgrounds can act, sing, direct and write (imagine!), the night was a carefully curated celebration of progress.

Reflecting on how far Hollywood has come, Leguizamo called out the lack of Latinx representation he saw as a young actor. ‘Everyone played us. Except for us,’ he told audiences, before listing every Latinx nominee at this year’s awards.

Those included Selena Gomez, Sofia Vergara, and Nava Mau (also the first transgender woman to be nominated in the supporting actor role for a limited series).

Mau’s recognition for her work on Netflix’s breakout show Baby Reindeer felt historic – because it was. But this sense of monumental change also highlights how sluggish the pace of progress has been.

A moving exchange between Mau and red carpet host Laverne Cox – who was herself the first transgender actress ever to be nominated for an Emmy – provided one of the night’s emotional highlights.

Seeing both women embrace tearfully was a bittersweet nod to the years of struggle and rejection that trans actors face within the industry – and a reminder that, for all the industry’s crowing about diversity, there are still far too few seats at the table.

The night was marked by numerous other ‘firsts’, including record-breaking wins for Shōgun which took home 14 trophies – the most ever won for a single season of a show.

With a majority Japanese cast, and Japanese spoken as the primary language across all episodes, the drama series saw historic wins for actors Anna Sawai – the first actor of Asian descent to win for lead actress in a drama series – and Hiroyuki Sanada – the first Japanese actor to win for lead actor in a Drama series.

Liza Colon-Zayas also beat industry giants Meryl Streep and Carol Burnett in the best supporting actress category for her role in The Bear. 

‘And to all the Latinas who are looking at me,’ Colon-Zayas said in her acceptance speech, ‘keep believing and vote. Vote for your rights.’

Speaking on the diversity at the awards, Leguizamo said ‘We need more stories from excluded groups, Black, Asian, Jewish, Arab, LGBTQ+ and disabled.’

His words highlight that despite the joyous wins that defined this year’s Emmys, firsts are not enough. Firsts are evidence that change is overdue; that talent has gone unrecognised for too long; that in 2024, wins for those who don’t fit the ‘traditional’ industry standard are so rare they’re ground-breaking.

It’s a double edged sword. One that invites celebration and relief for signs of change, but also forces uncomfortable reflection. Accepting the history made on Sunday night is not enough – complacency only encourages another decade of half-open doors and glass ceilings.

If awards shows like the Emmys tell us anything, it’s that what we see in film and television is vitally important. It’s a mirror to society, one through which we come to better understand ourselves and those around us.

That is the beauty of the industry. But when that power isn’t wielded to its full potential, the consequences are both damaging and dangerous.

Later in the ceremony, the Governor’s Award was announced. Each year, the prestigious trophy recognises an individual, company, or organisation that has made a ‘profound, transformational, and long-lasting contribution to the arts and/or science of television’.

This year’s winner was Greg Berlanti, a prolific showrunner with over 45 shows and a record breaking 20 scripted series on TV at once.

Berlanti was also the first writer-producer to show a gay kiss on primetime TV between two teenagers, on Dawson’s Creek in 2000.

To look back on that milestone is to recognise how far Hollywood has come. Today, queer stories are told with more nuance and realism than ever before. And queer actors are securing roles both within and beyond those stories.

Recent shows like Heartstopper have also broken the mould by conveying young LGBTQIA+ stories with innocence, warmth and heart, shedding all the shock-factor and trauma that have come to define these kinds of plotlines on television.

For most of us, it’s incredible to think that just a few years ago, a gay kiss on screen was such a big deal.

Ten years from now, we can only hope the same ‘historic’ moments that defined the 2024 Emmys will be considered old hat. For the best reasons.

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