SEGAs iconic video game mascot hits the big screen after facing delays and redesigns last year. Thankfully, it’s not the train wreck many were expecting.
It’s finally here.
This time last year Paramount dropped its first trailers for what would soon become the infamous, nightmare inducing first Sonic design, which combined realistic animal proportions with cartoonish colours. It was terrifying, to say the very least.
It seems that top Paramount executives agreed with the barrage of criticism that ensued. The film was subsequently delayed and Sonic was given a makeover, much to the delight of basically everyone. After a year of speculation, anticipation, memes, and reworkings, Sonic has finally hit the big screen in time for Valentine’s Day – but is it any good?
You’ll be pleased to know that the Sonic The Hedgehog movie is not as big of a disaster as everybody assumed it would be. It won’t be winning any Oscars next year, nor will it be heralded as a classic piece of cinema, but it’s a fun, slightly ludicrous romp that most will find to be an enjoyable ride. It’s already broken records for the biggest opening of a video game movie too, so we should probably start preparing ourselves for a sequel.
Now, before we get too deep into this film, let’s just get a couple things out of the way. This is by no means a flawless project. Its script is a little weak, quite a few of the jokes fall flat, and Sonic flosses. Twice. The entire prospect of a live action film based on a video game character who hasn’t really been that great since the 90s is ridiculous in itself, so it’s best to go into this movie with few expectations. This is no Citizen Kane.
But, to Paramount and SEGAs credit, Sonic The Hedgehog doesn’t pretend to be anything other than a family friendly thrill ride. Jim Carrey plays a fantastic, often hilarious Robotnik who has the most memorable lines of any character here. There’s a few genuinely laugh-out-loud scenes and Sonic is a chirpy presence that gives the film a satisfying energy. It’s feel good, silly, and all good fun.
The plot is a standard moustache-twirling villain affair with a buddy duo thrown in for good measure. Sonic must venture to San Francisco in order to pick up his discarded rings that allow him to teleport to different dimensions because, obviously. He lives alone and remains hidden from human beings until his emotions get the better of him and he causes a nationwide power outage. Various scenes unfold as Robotnik tries to track him down and…well, I’m sure you can guess the rest from there.
In terms of visuals, Sonic’s CGI design has gone from being the most disastrous aspect of the film to one of its biggest strengths, and you’ll often find yourself emotionally compelled by some of his scenes. This movie makes you feel things for a pretend blue cartoon hedgehog – an achievement if ever there was one. Plenty of fan service is hidden throughout and niche references are littered all over the place for eagle eyed viewers who actually remember Sonic’s first games from the early nineties.
Most of the film takes place in a rural American town, aptly named Green Hill, though we do get to see glimpses of other planets and creative environments that I’d love to see more of should a follow up ever materialise. Sonic’s friendship with Tom, a local police officer who he partners up with early on, winds up being a thoughtful pairing, one that helps to keep the film grounded amongst all of the chaos. Check out this clip below which demonstrates their buddy dynamic at its peak.
An extraordinary turnaround
The biggest achievement with this film has been the turnaround in public perception. While critics have given mixed reviews, fans and regular movie goers have been reacting positively and its big opening box office figures suggest that there’s an appetite for more. It’s a far cry from the initial impressions we all got this time a year ago, and I doubt even Paramount expected things to go as smoothly as they have over opening weekend.
There’s a case to be made for how far fans should tinker with projects, and to what extent directors should take on the feedback of audiences, but I think in this case it’s been an undeniably positive improvement over the initial vision. Fans have appreciated being listened to, and literally nobody is arguing that the original design was better than what we got in the final movie.
The bottom line is that if you’re a fan of Sonic, video games, or just family films in general, this one is worth your time. Jim Carrey brings a performance reminiscent of his Ace Ventura days, and though it can be a bit ham-fisted and cheesy in places, it still doesn’t detract from the overall experience. You’ll come away having smiled at least a few times, and that’s something, at the very least.
3
out of5
Speeding past a potential train wreck
Sonic's 2020 movie outing is a fun, inoffensive time - though it won't be winning any Oscars next year.
I’m Charlie (He/Him), a Senior Writer at Thred. I was previously the Editor at Thred before moving to Bristol in 2024. As a music and gaming enthusiast, I’m a nerd for pop culture. You can find me curating playlists, designing article headline images, and sipping cider on a Thursday. Follow me on LinkedIn and drop me some ideas/feedback via email.
Several European countries have pulled out of the Eurovision Song Contest, taking issue with Israel being allowed to participate despite its continued war crimes in Gaza and the West Bank since 2023.
On Wednesday, Iceland became the fifth country to bow out of the 2026 Eurovision Song Contest, saying the political debate around Israel’s allowed participation has made it impossible to take part in good faith.
The European Broadcasting Union...
For the first time, a shade of white has been given the prestigious ‘Colour of the Year’ title by Pantone.
Every December, Pantone – a media company widely regarded as the mecca of colour theory – announces its annual ‘Colour of the Year’.
This title appears frivolous on the face of it, but it's become a signpost of the year ahead – what trends might crop up in fashion, art and media....
Netflix had agreed a deal with Warner Bros to land its studio and streaming assets for $83 billion. That could soon be off the table, however, with the news that Paramount has just proposed an offer of $108.4 billion for the entire company.
Can you hear that? That’s the sound of heads planting the meeting table at Netflix HQ.
The biggest news of the weekend suddenly may not be so newsworthy....
A late entry for the most disturbing art installation of 2025, Beeple’s ‘Regular Animals’ features a pen of robotic dogs bearing the likeness of tech billionaires and revered artists. They canter around, snap photos, and take NFT dumps.
‘You may live to see man-made horrors beyond your comprehension,’ declared Nikola Tesla in 1898. I’d say we’re probably at that point.
Onlookers at Art Basel Miami Beach are transfixed in a state...
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.