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Bianca Censori’s body is still making people uncomfortable

Kanye West’s wife has become somewhat of a living mannequin. But her controversial clothing is raising questions around autonomy and the politics of the female body. 

Bianca Censori was relatively unknown when she began dating, then quickly married rapper Kanye West. The Australian architect and model has since become a public spectacle, known for her provocative outfits and bold red carpet stunts – most recently appearing almost nude on the Grammys red carpet.

The pair paint a disquieting picture, with Censori rarely caught straying from her husband’s side. In most cases, West storms ahead – fully clothed – while Censori follows in minimal clothing.

From tiny bralets to tights and even a pillow, her outfits have made headlines for their relative lack of existence. And the discourse around her fashion choices has only grown more divisive as the nature of her relationship with West appears to take a somewhat troubling turn.

Polyester’s Ione Gamble lays out the argument that Censori’s clothes are rooted in fetish and club wear, breaking the fourth wall of social media by inhabiting public spaces that aren’t conventionally associated with these genres of fashion.

But following the Grammys stunt, in which Censori removed virtually all of her clothing in front of cameras – seemingly at the request of her husband – many have asked where we draw the line between artistic provocation and downright coercion.

The question is ultimately whether Censori is an autonomous individual expressing herself through each audacious look, or whether she’s a pawn in the curation of her husband’s public image, controlled at every opportunity and forced to behave in ways she wouldn’t willingly consent to.

It’s a complex conversation, and one which doesn’t invite easy answers.

But central to the question of Censori’s body is the notable presence of West’s, and the highly politicised context in which both exist.

‘Her outfits can be looked at objectively as a fashion statement if [West] had no hand in styling them and if [he wasn’t] always there fully clothed next to her. His presence contextualises the whole thing differently,’ wrote one Instagram user.

West has a well-documented history of controlling behavior towards his partners. His past relationships – including his highly publicized marriage to Kim Kardashian – often revealed a man deeply invested in dictating how the women in his life dress and present themselves.

‘I always thought I had really good style – until I met my husband [Ye] and he told me I had the worst style,’ Kardashian once recalled in an episode of Keeping Up With the Kardashians. Another infamous moment from the show involved West and Kardashian arguing after the latter gave West a bandaid that didn’t match his outfit.

Concern for Censori is hinged on the assumption that West is styling her, as he did Kardashian for much of their marriage. Neither party has confirmed or denied this.

Certainly, women have fought hard for the right to wear whatever they please; to own their sexuality and move through the world without their bodies being treated as public property.

Figures like Madonna, Lil’ Kim, and Rihanna have used nudity and hyper-sexualized fashion as a means of rebellion, reclaiming the gaze placed upon them. So is it fair to suggest that Bianca Censori is any different?

The issue is who holds the power. In relationships where there is a history of control or manipulation, a woman’s choices must be examined in the context of that dynamic.

Seeing a fully clothed man walking alongside a woman who is regularly almost nude, save for a sheer raincoat, or a pillow, and has walked outside barefoot on more than one occasion, is undeniably unsettling.

And the more provocative Censori and West’s public appearances become, the more social media backlash they propagate.

‘Somebody rescue this lost woman please!’ wrote one X user following the Grammys red carpet. ‘This is all about [Ye] trying to control her,’ said another.

The world has a habit of stripping women of their agency under the guise of ‘protecting’ them. Calling Censori a victim without knowing the full picture is also a form of control – assuming she has no will of her own. I suppose the challenge is in recognizing warning signs without assuming authority over another woman’s narrative.

And perhaps all these questions are part of the plan, whether that plan be West’s or Censori’s. Should we even be granting the pair attention? Is each public appearance just another ploy to stir up media coverage for West’s clothing brand?

The rapper has rarely spoken publicly about his wife, but did recently address concerns for her wellbeing in a now deleted Instagram video.

‘Ima post my wife as much as I want bro. It makes me happy. Some people don’t want you to be happy. They want you to make them happy. I decided to make myself happy, and I’m happy with that.’

It would seem his wife’s happiness probably isn’t West’s biggest concern.

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