Rapper DaBaby has come under fire for a burst of homophobic comments during one of his shows, causing multiple festivals to suddenly pull him from their line-ups.
Nearly two weeks ago, DaBaby performed at Rolling Loud Miami festival, where he denounced the LGBTQ+ community and those who were HIV-positive seemingly out of nowhere.
He yelled to the crowds, βif you didnβt show up today with HIV, AIDS, any of them sexually transmitted diseases thatβll make you die in two, three weeks, put your cell phone light up.β
He has since been dropped from a number of other festivals, including Lollapalooza, the New York Cityβs Governors Ball, and Day N Vegas in Las Vegas. Clothing brand BooHoo has also dropped its DaBaby line of products and many big artists have criticised his comments, including Dua Lipa, Elton John, and Madonna.
Elton John – who founded the Elton John AIDS Foundation in 1992 – described the comments as damaging and regressive. βIt is the opposite of what our world needs to fight the AIDS epidemic.β
The heavy backlash is interesting, considering hip-hopβs long and deep-rooted issue with homophobia. Were DaBaby a popular rapper in 2005, this intense wave of criticism may not have existed in quite the same way.
Itβs a moment that, while upsetting and offensive, suggests that the industry has moved forward significantly since even a decade ago. Standards have changed and artists can no longer casually drop ignorant lyrics or chants in the same way they once could.
At first, DaBaby kept to his guns and remained firmly on the defensive.
He took to his Instagram stories to push back on supposed βhypocrisyβ of those who are outraged about his comments but disregard issues of race.
These arguments donβt hold up particularly well, though, as one ignorant take doesnβt necessarily equate to another, and DaBaby made no acknowledgment of the huge waves of protests and activism in support of BLM that took over mainstream press only last summer.
Heβs since done a U-turn. His first apology was via Twitter, in which he said he was sorry to those affected by HIV and AIDS but seemed unfussed by his comments on the LGBTQ+ community.
Anybody who done ever been effected by AIDS/HIV yβall got the right to be upset, what I said was insensitive even though I have no intentions on offending anybody. So my apologies ππΎ
But the LGBT community… I ainβt trippin on yβall, do you. yβall business is yβall business.
Since then, more brands and events have pulled him from their line ups and merchandise, which will no doubt affect his estateβs bottom line. In an unsurprising move, another apology has since been issued, this time seemingly more professional but unconvincingly insincere.
DaBabyβs acknowledgement of wrongdoing is at least a step in the right direction, even if it has obviously come straight from his PR team and not from his own mouth.
This is largely a moment for re-education and re-assessment from DaBaby, but heβll need to do more to show heβs genuinely prepared to learn and change. Brands have made clear that theyβre not willing to work with him if he pushes this type of homophobic rhetoric and it is in everyoneβs interest that he become more informed and progressive.
Weβll have to see what his next move will be – and this will no doubt serve as a warning for other artists that harbour these types of prejudices.
Why is this an important moment for the industry?
DaBabyβs comments are strange, given they were completely unprovoked and seemingly unrelated to anything happening on stage or at the show.
Perhaps what is more important here is the subsequent response and outrage, not just from music goers, but commercial properties too.
Franchises recognise that itβs not okay to perpetuate ignorance in such a haphazard and absurd manner and were very quick to distance themselves as soon as possible.
This is a huge shift in standards since hip-hopβs bling era of the mid noughties, when it was controversial to not be homophobic on public platforms. We wrote recently about Kanyeβs influence in this space at the time, where standing up for the LGBTQ+ community was out of pocket and unexpected. Much has changed since then.
Just listen to any Eminem or 50 Cent album from this era – two artists that DaBaby has cited as major influences – and they will be riddled with homophobic slang and uber-macho lyricism that emphasises ego above all else.
If there is a positive to take from DaBabyβs situation, itβs that this shows Gen Z listeners are not tolerant to casual abuse and bigotry, regardless of the context.
Weβre now living in an age where it is unacceptable to be homophobic from a personal and corporate perspective, which is evidence of genuine progress.
Weβll have to see if DaBaby can turn things around soon. It will take more than a half-hearted PR statement to undo the damage done, but hopefully this will be an opportunity to learn and encourage open conversation around acceptance.
I’m Charlie (He/Him), the Editor In Chief at Thred. I studied English at the University of Birmingham and as a music and gaming enthusiast, I’m a nerd for pop culture. You can find me curating playlists, designing article headline images, and sipping cider on a Thursday. Follow me on Twitter, LinkedIn and drop me some ideas/feedback via email.
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