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‘Trad-sons’ are now a thing

Stay-at-home sons are the latest iteration of the ‘trad-wife’ trend. 

We have Nara Smith to thank for the advent of the modern ‘trad-wife’. Whether Smith defines herself within these borders is another thing, but the influencer’s dulcet tones and endless couture collection ensured her cooking skills became the blueprint for housewives everywhere.

Controversial though it may be, the ‘trad-wife’ aesthetic (trend, cultural phenomenon, whatever you want to call it) has become one of the bigger talking points of the past few years. You might not wish to be her, but you probably follow her – Le Creuset collection and all.

Now the trad-wife is at risk of being usurped from right under her nose. As Olivia Empson reports for Vanity Fair, the ‘trad-son’ is the latest iteration of stay-at-home family members taking the internet by storm.

The concept first emerged when Brendan Liaw, 28, was introduced as a ‘stay-at-home son’ on an episode of Jeopardy! in May.

Now trad-sons, also known as ‘hub-sons’, are threatening to become 2025’s answer to their motherly counterparts. It’s the byproduct of a younger generation who are staying at home well into their twenties – and not necessarily for lack of trying.

According to finds by Rohan Shah, economics professor at the University of Mississippi, around 1.5 million more adults under 35 live with their parents today than a decade ago. The economy has everything to do with.

Self-confessed ‘stay-at-home’ kids have shared their financial woes on social media, which has also helped to normalise the growing trend. Given the economic disparities that many Gen Z and Millennials are facing, its no wonder they’re remaining firmly in the bosom of their mother when given the choice.

I don’t blame them. Rent is astronomical, especially if you live in London. And for many of us, the capital is the only viable option for chasing the career we want. The mounting pressure to return to the office full-time is only exacerbating this strain, as young people are forced to relocate to major cities in order to continue working.

It’s interesting, however, that receiving financial help from you parents is often framed as a taboo subject amongst those of us in our late twenties and early thirties. Even if the bank of mum and dad is ready and willing to help, a lot of us feel shame and even humiliation when asking for it.

Yet choosing to remain at home isn’t seen as such a controversial decision – despite the fact that it serves the same means to the same end: softening the blow of rental payments.

As rising housing prices and inflation continue to outpace wage gains, the option of purchasing a property is becoming less and less viable for many of us. So why not stay with your parents long-term, where you can put some money aside and live without the monthly strain of a foot-tapping landlord?

Why, then, is this act of living with your parents so firmly gendered in the culture? Trad-wives are tied up in archaic ideals of femininity, where women belonged firmly in the home where they could cater to their husband’s every whim.

By comparison, the patriarchy deems a man’s domain to be that outside the home – at work, in the field, or wherever else he chooses to hang his independent hat. The concept of a ‘stay-at-home’ son is therefore fascinating in its contradiction of these ideals.

Speaking to Vanity Fair, one 26-year-old ‘trad-son’ says he chose to stay at home when his relationship ended, figuring it would provide a welcome buffer before he started searching for his own place.

‘It was like, you know what? I’ll just go home. It was a really good opportunity to spend the time with my parents that I never thought I was going to get to do again in my life.’

A lot of mum’s don’t seem to have a problem with this, either. Some have shared their views on social media – with one comment reading: ‘My kid can live with me as long as they want. Most countries embrace multigenerational homes. I’m so ready for individualism to fall.’

But the trad-son’s rise is less about domestic devotion and more about economic desperation, rebranded through a soft-focus, ironic lens. Unlike the trad-wife – whose image, as The New Yorker notes, was meticulously curated to evoke nostalgia for a time when women’s work was unpaid and unseen – the trad-son embodies something more chaotic: arrested adulthood in an unaffordable economy.

Empson suggests he’s both a symptom and a satirical figure of this inhospitable modern environment we now find ourselves navigating. Maybe that’s why the trad-son feels oddly comforting. He’s not idolising patriarchy so much as quietly rebelling against it – just a boy in his mother’s kitchen, proof that the domestic ideal has finally gone full circle.

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