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Opinion – We’re lucky to have artists like Lola Young 

The singer’s openness about mental health has made her a Gen Z icon. As she cancels upcoming shows to focus on her wellbeing, Lola Young’s refreshing self-preservation is a gift for all of us. 

Lola Young was a relatively unknown singer from South London only two years ago. The 24-year-old finally found widespread fame in 2024 when her sleeper hit ‘Messy’ took off on TikTok. Almost overnight, Young was a phenomenon.

Two albums and several number one singles later, and Lola Young has become a Gen Z icon – in part thanks to her immeasurable talent and catchy songs, but also an openness about her struggles with mental health and addiction.

The level of vulnerability Young exerts in the public eye is refreshing, particularly for someone of her age. She’s unapologetic about who she is, sporting a choppy mullet and facial piercings while her peers opt for buccal fat removal and rhinoplasty.

She sings with the kind of bravado and self-assurance that usually comes with old age, most notable on her latest album I’m Only F*cking Myself in which Young talks glibly about her sexual identity.

Despite not aligning with industry beauty standards, the singer has never shied away from her vivacious sex appeal, strutting around the stage in heels and low-rise jeans and wrapping her glossy manicured fingers around the mic with enviable confidence.

For all these reasons, I wish Lola Young had been around when I was a teenager. I’m 28 now, and I can’t help but feel a little jealous of the young fans who have her to look up to. I feel a little hesitant to paint her as a role model – no young person should bear the weight of that kind of responsibility – but we need more Lola Young’s in a world so often urging us to squeeze into neat little boxes.

I was strangely relieved, then, when Young announced an abrupt hiatus from music this week. The singer had collapsed on stage during a performance in New York just days before, and told her followers on social media that she was ‘going away for a while.’

‘It pains me to say I have to cancel everything for the foreseeable future. Thank you for all the love and support. I’m so sorry to let anyone down who has brought a ticket to see me, it hurts me more than you know.’

The sudden ascent that Young experienced is no doubt life and mind-altering. Witnessing it in real time is both inspiring and unsettling. It’s the same reaction I had last month, when Adolescence breakout star Owen Cooper won an Emmy for his performance.

Cooper had never acted professionally before the Netflix series, and now finds himself with one of the industry’s most prestigious awards aged just 15. Call me a chronic pessimist, but I can’t help but worry about this young man’s wellbeing as he’s catapulted into a thankless and cutthroat industry before he’s legally old enough to drink.

That’s why it’s so important that artists like Lola Young are vocal in their self-preservation. Setting boundaries so clearly and bravely shouldn’t be a revolutionary thing in this day and age – but with the rise of social media, and as parasocial relationships give us a false sense of ownership over celebrities, it’s becoming even more unusual to see public figures stick up for themselves. Not least young women.

It’s also reassuring that Young’s fans seem largely to support her decision. Comments under her post have been – for the most part – messages of love and concern.

It’s rare to see the internet react with empathy. But in Young’s case, there’s an understanding that she’s human first, performer second. Maybe that’s because she’s always insisted on showing us the human part.

The recent lawsuit against the producer of her breakout hit ‘Messy’, Carter Lang – which accuses him of claiming undue credit for Young’s writing – only underscores that fight for control. It’s about authorship, yes, but also autonomy. For women in pop, ownership over your own narrative still feels like a radical act. Especially when the industry profits from your chaos.

There’s something almost subversive about Young stepping back now, at the height of her career. We’re conditioned to view rest as regression, as if taking time off is an admission of failure. But Young’s hiatus feels like the opposite. It’s ultimately an assertion of power, and a refusal to let success consume her.

It’s easy to idolise resilience, and harder to applaud retreat. But what Young has done might be the most powerful move of her career. She’s teaching her fans something the industry rarely does: that you don’t owe the world your ruin.

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