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Opinion – Celebrities have the right to set boundaries in public

Robbie Williams recently admitted to struggling with anxiety during fan interactions. His openness puts our pension for performative closeness under the spotlight. 

‘Do you think there should be a limit to how many people can access you in one day?’ asks singer Robbie Williams on a now viral Instagram post. Earlier this week, the singer shared a candid series of notes detailing his experience with fans asking for photos.

‘Is there a number that’s too much? Or is it infinite – as many as there are, that’s how many you should serve?’ Williams’ question, about who has the right to access any one individual at any given moment, has triggered a conversation around the culture of celebrity in our digital age. The questions he raises have no easy answers, which is perhaps why they’ve resonated so deeply.

This isn’t the first time Williams has spoken openly about his struggles with fame and mental health. But his openness about still suffering with ‘discomfort’ and ‘panic’ when approached in public has garnered a supportive response.

The post followed a recent incident in which the singer was asked for a photo by a stranger on board a flight. ‘I explained I’d been up since 4:30am, had two hours’ sleep, and wrangled four kids through the airport. I’ve got bags under my eyes and I’m dealing with anxiety,’ he wrote. ‘I explained that if they came and took a photo with me, my anxiety would spike – because then the whole cabin would start wondering who I am.’

Williams was gracious in his description of what is, to most of us, a unique and alien experience. He wasn’t bemoaning the suffering of celebrity or criticising those who regularly approach him. He simply explained that being seen all the time is exhausting.

Others in the entertainment industry, including Kris Jenner and Aimee Lou Wood – the latter of whom has recently faced intense public scrutiny over her appearance – shared words of support beneath Williams’ post, expressing gratitude at how the singer had handled what is an infamously contentious topic.

‘This is dodgy terrain for a famous person to give context around. Anything short of: ‘Of course, it’s my duty and the right thing to do’…is risky,’ said Williams.

 

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A post shared by Robbie Williams (@robbiewilliams)

‘There’s a kind of unspoken law: as a celebrity, you should be accessible 24/7. Greet all the strangers like you’re the mayor of the best town anyone’s ever visited. Make sure their wishes are met, whatever they are.’

He urged people to give celebrities the ‘dignity of their privacy, their wants, their needs,’ as he could be suffering with personal issues when approached by strangers – ‘and they are strangers,’ he added.

Singer Amy Macdonald shared her own experience with this invasive public interaction beneath Williams’ post, describing a time when she was asked for a photo having just put her pet dog down. ‘I was crying in the photo because I felt I couldn’t say no, for all the reasons you’ve mentioned here.’

This sense of proximity to those in the public eye has warped our sense of entitlement to them for decades, but social media and the digitisation of our everyday interactions has sent things into overdrive in the past few years.

There’s a perception that being in the public domain means you’re public property. If someone’s work has made its way into your living room, or onto your phone screen, or into your headphones, there’s a sense that you have a stake in them – not just in what they make, but in how they behave. That they owe you something.

It’s not that most people are malicious. But we see famous people so often and in so many formats that they start to feel familiar. Approaching someone for a selfie might seem like a friendly act, such is the power of parasocial relationships.

But Williams reminds us that for the person on the other side of this interaction, the experience can be very different.

@whatidontnow

Tobey’s core is different for the paparazzi. #tobeymaguire #spiderman #spidermannowayhome #paparazzi #core

♬ Originalton – WhatIDontKnow

Williams’ post struck a nerve not because it was provocative, but because it touched on something everyone seems to recognise: the way visibility has become a form of emotional labour. Being famous no longer means just being seen, it means being available.

The fallout of saying ‘no’ to a well-meaning fan isn’t always rage. As Williams’ points out, he’s more than happy to give back to those who’ve bolstered his career to where it is now. But the sense of disappointment that declining a photo can trigger is what really highlights our warped sense of fame.

A fan might walk away from a rejected photo request not angry, exactly, but hurt – as though a private connection has been betrayed, rather than a public one politely declined. That’s the skewed logic of parasocial relationships: they make proximity feel mutual when it’s not.

Of course, this is largely a symptom of the times we live in. We’re unlikely ever to return to the old-school sense of celebrity, in which an influential figure was either ‘on camera’ or ‘off duty’. Nowadays, if you admire someone’s work you can DM them. If you see them in a restaurant, you can film them. The idea of keeping a healthy distance has been replaced with the idea of seizing the moment.

This constant closeness has had a lasting effect on 51-year-old Williams, who entered the public eye at the age of 16.

‘I mask it well. But social interaction still frightens me. So much so I didn’t go out for years. And I had to do it without drugs or drink.

‘I used to find it impossible. Now I’m…OK-ish. But still crawling inside. Every time a stranger approaches […] I panic.’

In the comments section beneath his post, people praised Williams for his honesty.

‘Everyone is entitled to their boundaries,’ wrote one user.

Ultimately, Williams isn’t asking for distance because he’s above anyone. He’s asking because, on some level, he’s just like anyone else; figuring out what he can manage, and trying to be okay with the rest.

Accessibility