According to the BBC, festival companies will enforce flexible rules when and if they return next year. A variety of nifty tech solutions are being considered to make social distancing possible, including interactive wristbands that detect if you’re too close to others and thermo scanners to check your temperature, but full festival lists and schedules won’t be back properly until at least 2022.
Uncertainty surrounding regulations next summer is the biggest challenge for organisers, and everyone is ready to shut things down or re-arrange events at a moment’s notice. We might suppress the pandemic well enough by then to be able to mingle in large groups, or we could be in total lockdown. It’s impossible to predict.
What are music companies doing right now to help the industry?
Various social distance experiments have taken place this year to gauge how possible it is to organise live concerts while ensuring the safety of attendees.
We’ve seen the introduction of drive-in shows in Australia that provided some bizarre scenes straight out of Pixar’s Cars back in April, as well as virtual live streams for smaller gigs. Weeklong spectacles like Burning Man have used virtual reality and hired independent artists to recreate entire venue spaces digitally, resulting in some unique experiences that weren’t available pre-Covid.
London’s O2 will be hosting a socially distanced show on December 5th headlined by 70s rock band Squeeze, which will reduce the usual 20,000 crowd to 4,700. Workarounds are being implemented where possible but the result is, at best, a diluted version of what you’d normally expect.
Will we see these innovations last for the long-term?
All these novelty ideas are a valiant approach to an unprecedented situation, but they’re unlikely to truly engage festival goers in the same way as traditional shows.
That’s not to say they don’t have a long-term future in the industry. Virtual reality features and innovative visuals have been implemented into live music shows for decades. Daft Punk’s famous 2006 Coachella set demonstrated the full potential of using world-class tech to boost the listening experience, and I’ve no doubt that artists will continue to welcome streaming and virtual gigs as a viable option, especially if they offer additional sources of income.
Streaming doesn’t cater to as wide of an audience as stadium shows or weekend events and can’t fully replace the real thing though, let’s be honest. You don’t get an equal experience watching a gig on your laptop. Where are all the pints being thrown around and dodgy food carts selling ambiguous products? If I can’t tipsily dance around while being mud covered in a field it just isn’t the same.
These solutions are a great way to keep the lights on for now, but won’t ever be able to outright replace normal concerts. Who knows, we could see more virtual reality and app integration used in future shows when things go back to normal. Some big artist like Eminem were already playing around with this idea before it all hit the fan, and its increased use in 2020 could make it more popular in the coming years.
For now we should expect some events to take place as usual next year, albeit a bit smaller with far more social distancing rules in place. They could be postponed or cancelled at any time, and we’ll all have to order tickets with bated breath.
But, hey, at least we may get some music shows next year, which is far better than 2020 has offered.
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