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Amazon’s The Boys – Review

The Boys is a well-produced, well-acted, well-written show that made me want to stick my head in a blender.

Okay, so, before I begin let’s get one thing straight. The Boys is a good show. Both subjectively and objectively, I truly believe it is quality television acted to perfection with an amazing cast and great writers. However, watching it was somewhat akin to wilfully stabbing yourself in the eye with a grilling fork.

The show suffers from what I believe is a case of terrible contextualisation – it’s the right show that’s come along at exactly the wrong time. Angling itself as an antidote to the over-saturation of the movie market with superheroes, The Boys overlooks the very reason superhero movies became popular in the first place.

In a turbulent age where prevalent political narrative conspire against us, Marvel and DC tried to provide escapism through hope.

The Boys, with its relentless cynicism, shoots its foot to spite its face. In its rush to seem like the antithesis of the superhero genre it holds a mirror up to the world, and in doing so has all the effect of a fire alarm in an inferno. Its complete and utter lack of optimism makes you feel you may as well have just looked out the window for a similar sense of despair.

The Boys is the second TV adaptation of a Garth Ennis comic book, the first being the widely successful Preacher (the fourth and final season of which is currently airing). It takes place in a world where pop culture, both real and fictional, is dominated by the so-called ‘super-abled’. ‘Supes’, who only exist in the US for reasons that nobody seems to question, are a mega-successful franchise, controlled and managed by sinister corporation Vought. This makes the Supes revered celebrities, and Vought extremely rich.

Unlike in traditional superhero lore, in this world gaining extraordinary abilities doesn’t automatically realign your moral compass to good. Just like regular people, the Supes sometimes have the inclination to engage in illegal activities ranging from rape, to theft, to murder.

And, unlike regular people, they have both the means to easily pull these things off, and the corporate value of their public image to protect them from the consequences.

For the characters of The Boys, believing in anything makes you a sucker. Those superheroes there to save you? They’re tools of a huge corporation that’s focused on money and control. Supes are a sign from God? Nope, again, that was just Vought injecting babies with a drug that gave them powers in order to create a new commodity in the defence market.

There is no one involved in the cultivation or management of superheroes who seems to care about the people they’re supposed to be saving. And, what’s worse, the show emphasises that if the human characters were given the opportunity for transcendent powers, they’d be no better than the people they’re fighting.

There’s a scene halfway through the season where two heroes, Homelander and Queen Maeve, realise that they’re unable to save a plane full of doomed passengers they’ve already announced themselves to.

Homelander walks nonchalantly back through the people, convincing them they’re going to be okay, while at the same time explaining to Maeve why they’re unable to save even one child (which they could easily do) as allowing any witnesses to their failure would be bad for business.

He later uses the plane crash as an argument to place Supes in the military. Ladies, this guy is single…

All this makes the show an incredibly hard sell during the current socio-political climate. The Boys at least presents a reality where the people who amass wealth and power are smart enough to plan a few steps ahead (like the scheming head of Vought Madelyn Stillwell), while the real world is drowning in those who seem to wake up with their shoelaces tied together yet still somehow come out on top, both in profit and power.

IfThe Boys wants to reinforce that things in capitalist society are even worse than they seem, then the real world reinforces that things are even worse than we can imagine. Trump, as a character, would never fly on TV or in a comic book. Too unrealistic. Too nihilistic.

So maybe it’s not even the cynical characterisation and gory scenes that makes The Boys so hard to stomach. Maybe it’s the fact that the show seems to believe it would take a cape and an impressive jawline to manipulate the world. As recent years have taught us, doing so requires neither of these things. The show is uncomfortable not because of its bleak outlook, but because these days that outlook already seems outdated.

The Boys feels like it was meant to be a warning, but right now it isn’t a useful one. To be perfectly honest, in the wake of the news recently, I understand why people might choose the swelling music and inoffensive world-saving of the Marvel universe over an uncomfortably realistic portrayal of all-too-present human flaws.

Nevertheless, if you enjoyed this cynical, joy-shattering, and generally pessimistic review, then there’s a chance you may love The Boys, and in that case I’d recommend you give it a watch.

3
out of 5

Nihilism or farce?

Amazon's The Boys hits all the right notes - only problem is, its pessimism doesn't go far enough

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