Tisloh Danboyi is the highly talented 21-year-old British med student with an incredibly relaxed approach to breaking into an industry renowned for its chaotic nature.
On the verge of becoming the next big thing in British menswear, Tisloh Danboyi’s professional relationship with fashion is somewhat unconventional compared to that of other young designers.
His decision to also pursue a career in medicine which, alongside fashion is typically wrought with high expectations and an ‘all or nothing’ ethos, is ambitious to say the least, but it isn’t slowing him down. A force to be reckoned with in both industries, Danboyi is currently working on the frontline as a healthcare assistant during the pandemic, using the little spare time he has to focus on clothing design.
Committed to fashion since he was just 13 years old, he interestingly attributes the majority of his inspiration to the music and culture of the sneaker industry. ‘I was very streetwear-oriented,’ he says. ‘I kind of just wanted to make the clothes that I liked, but couldn’t necessarily afford.’
In the following eight years, self-taught Danboyi would go on to largely transform his aesthetic, maintaining an element of the contemporary to remain relevant, but adding more mature, formal silhouettes and heavy details that are perfect for the everyday male wardrobe.
His first collection, which debuted in 2018, was titled Summa Theologica after Thomas Aquinas’ text, representative of visual language and the genesis of his own label. A combination of the classic and the artistic, from floral hand-embroidered sweaters and t-shirts, to mohair trousers and pullover hoodies, Danboyi’s first foray into fashion was incredibly promising and he certainly continues to amaze.
In fact, if the present zeitgeist (streetwear as contemporary luxury and Virgil Abloh at Louis Vuitton) says anything, it’s that, in order to design and connect with a wider audience, it isn’t always entirely necessary to sweat through fashion school. Danboyi has built his brand from the ground up, beginning with what he refers to as a ‘platform in which to express creativity’ and arriving at what is now a very successful menswear empire. And he’s done it all without a specific education in the field.
Regarding his recent shift towards the increased level of seriousness in which he’s treating the brand and his need to form a coherent identity for it, Danboyi explains that he hadn’t truly settled on its direction until Summa Theologica had launched. ‘Previously, I wasn’t really working with building a brand in mind, so I went through quite a few name changes,’ he says. ‘Every time I designed or released something, I’d change the name to accommodate the change in direction I would take. But it got to a point where I wanted to take responsibility for it by giving it my own name.’
This newfound determination to buckle down has been accompanied by a distancing from the instant appeal of eye-catching graphics and an enhanced concentration on garment composition and form. According to Danboyi, his upcoming body of work, called Where the Land Meets the Water, relies primarily on the ‘subtle relaxation of formal tailored shapes and the gradient tones of tactile brushed wools’ for visual appeal.
Drawing influence from his professional aspirations, Danboyi says that the relative formality of the collection has to do with studying medicine, which has ‘made [him] focus a lot more on making [his] clothes slightly formal, so [he] can wear them in more professional settings and not feel out of place.’