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Gossip Girl reboot to fix the original show’s diversity problem

Gossip Girl is officially set to return next year, and the HBO Max series is getting a much-needed casting change with ‘non-white leads’ and ‘a lot of queer content.’

In July, it was announced that iconic noughties show Gossip Girl will be returning next year for a new ten-part HBO Max series, set eight years after we said goodbye to our favourite Upper East Siders. Considered a millennial pop culture staple, Gossip Girl followed a group of privileged teenagers living in Manhattan, their lives fraught with an outrageous combination of drama, sex and unbelievable wealth. Looking back, however, the series was problematic in perhaps more ways than we acknowledged at the time – specifically in terms of representation.

Taking place (for the most part) in modern-day NYC, one of the most diverse cities in America, it comes as a surprise (or maybe no surprise given the state of the media in the early 2010s) that the majority of its characters where white and straight. In what is arguably one of the most renowned melting pots in the world, I think it’s rather fair to say that selecting a majority white and heterosexual group of actors to play the leads was not only offensive, but inaccurate, and executive producer Joshua Safran agrees.

‘What I regret most about the original series was that there was not as much representation for people of colour and gay storylines as I would have liked. Vanessa Abrams (Jessica Szohr) was the only POC protagonist and Eric van der Woodsen (Connor Paolo) had the only queer storyline,’ he says.

For this reason, under his direction, the revamped show will accurately reflect New York’s current social landscape, promising to look very different from the city we saw Blair and Serena conquer back in 2012. Determined to more accurately portray the demographic realities of young people on The Upper East Side this time around, Safran is ensuring that fans can finally expect a more diverse cast and much better representation of the LGBTQ community as well.

‘There was not a lot of representation before. I was the only gay writer I think the entire time I was there. Even when I went to private school in New York in the ‘90s, the school didn’t necessarily reflect what was on Gossip Girl,’ he says, understanding the value of telling diverse stories as he recalls what it was like being a minority himself in the original series’ team.

While Kristen Bell has already agreed to resume her role as the omnipresent narrator, and the reboot will still take place in the famous halls of Constance Billard Girls School, most of the similarities stop there. ‘This time around, the leads are non-white and there’s going to be a lot of queer content on this show. It is very much dealing with the way the world looks now, where wealth and privilege come from, and how you handle that,’ adds Safran.

In addition to highlighting the stories of more marginalised groups, the reboot will also explore how the proliferation of social media affects the lives of high schoolers today. Given how much has changed since we were busy tapping away on flip phones, it makes sense that Safran would want to home in on the intrinsic role of the internet amongst Gen Z and its dramatic impact on how we communicate in the 21st century. ‘The prestige series will address just how much social media has changed in the intervening years,’ he says. ‘And I’m also so interested in high school juniors having a million Twitter and Instagram followers which was not at all possible the first time around. What is that like? I just feel like there’s so much to look at.’

If Euphoria’s recent success is anything to go by, with its new emphasis on representation, I have no doubt that the Gossip Girl reboot (xoxo inclusivity) is going to be a huge hit. Unfortunately though, we’ll have to wait a while because the premiere date hasn’t even been announced yet but stay tuned as more details are bound to surface.

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